The Rape Joke

Oh.  My.  God.  This is pure pain, 

 

http://www.theawl.com/2013/07/rape-joke-patricia-lockwood

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It is dangerous to love a poet

It is dangerous to love a poet
who blows emotion into rainbow animals;
orange giraffes, pink dogs, purple monkeys–
her balloon bestiary handed off to anyone
who stops to admire her skill and their lightness.
That some are shaped to your likeness is completely accidental,
she says, bouncing your persona palm to palm until it pops.

It is troubling to love a poet
who paints seduction in shadows
on metaphorical flesh, concentric patterns
traced on paper when the lines you want her to read out loud
are written by vessels under your skin, shivered
and goosebumped for lips busy kissing or cursing a muse.
You will always be the interloper in that marriage.

It is lonely to love a poet
who stays up until dawn, choosing the right shade of red
to  spraypaint your name on the moon, her  graffiti
bold enough to read from any bedroom window–
no solace when her side of the bed echoes scent
and is empty of presence.  In her chase of the right word,
she will not hear you murmur her name as you sleep.

It is useless to confront a poet.
She will take the pain you bring,
clay thrown on the wheel of her vision
spun and shaped to perfection,
glazed with a sad you will never see,
fired to a form that sings unbreakable passion.

It is joy to love a poet.
Her words lift from beyond the depth of bone
to wing from lips, floating each shade
in the spectrum of feeling your name evokes,
and you are caught, dazzled
and doomed as any moth or firefly, chasing
and breathing the lit cloud only she owns.

 

**We are writing list poetry today at dVerse, and this is what I can come up with–an older poem incorporating lists in part.  Hope you like!

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the perfect thing

for Kyle and Holly

Yesterday
a child was squeezed
into being and breath,
was weighed and gendered
and possibly named

but he’s no king of mine
and no more miracle
than the daily 370,000
squalling, shitting, hungry
just born people
with grandmas’ noses
and fathers’ eyes, fisting air
and not fluid for the first time

and I congratulate
the other 369,999 families today,
and hope the other 369,999 birthed
are the perfect gender
health and weight
for whatever bed, alley, hut floor
or shed mat they slept on
last night.

I hope the other 369,999 mothers
don’t bleed to death, left open
because no one can pay for a c-section,
and that’s what happens
to mothers some places
where women are less valued
than a pair of good work boots,
and half the other 369,999 won’t starve
to feed their brothers instead,
or be married early because they lack
the right set of chromosomes
to profit a family any other way.

Let’s hope that yesterday
369,999 other mothers
did the same perfect thing
as Kate Middleton.

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Bonobos

We are no better than bonobos,
defining ourselves by who we screw
and how often, as if everything we are
is distilled to those few inches of skin
and what we do with it.

No nun, but as an experiment
of self and perhaps an insulation
from pain, in my 20s
I belled celibate and free of relationship,
as if snapping that thread of mutual joy
led to something better than lonely

But it didn’t, and I learned it is less
who we love than that we can at all
that is the miracle
of this being human together.

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the algorithm of voice

The probability of one voice
wielding words the way the muse swings mine
so it is identifiable is unlikely: a probability
of 99.95% against, like a DNA test
disproving kinship, the punctuation
I choose unique as DNA base sequences rising
from a common skeletal language; a CGAAC
unique to Shakespeare so no one but him
can compare a mistress’ eyes to the sun,
or Eliot rolling trousers and tasting peaches.
No-one else is saying this truth
the way I tilt it.

I could spin the numbers of my name
to generate in a fickle breeze ripples
across the calm surface of a pond that 5 represents:
the only predictability in my mutability
being nothing is fixed– catch me if you can,
but you will hear my voice and know it
when I whisper it across water,
or perhaps calculate the probability
of whom is speaking by the precise wink
one  semicolon represents.

 

**The dVerse prompt was numerology.  My number is 5 for change or mutability.  Add to that my astrological planet of mercury, and then wonder why you can’t pin me down 😉

I had to write this, after hearing about a computer program that can identify, by sentenct length, patterns of punctuation, and certain word choices, a unique writer’s voice.  Hmmm.  So now there is a computer program that can divine what most of us can already intuit.

http://www.digitaltrends.com/computing/computer-software-reveals-jk-rowling-as-author-of-novel-written-under-pen-name/

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Women Write Resistance to Violence

Georgia has touched several nerves here–wonderful review of this anthology. I MUST have it…

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It is easier to program a child than a VCR. Only three steps. Easy, time-tested, ancient, a sure thing.

First, hurt the child. Hurt her a little, hurt her a lot, threaten to do more, things she can’t imagine. Since she couldn’t have imagined what you’ve already done, her own fear will now control her. She will blindfold and gag herself.

Those are the opening lines of a poem by Elliott Battzedek entitled, “His Favorite Gun is Me.” The poem is part of a new anthology called, Women Write Resistance.

Poetry resisting violence. Gendered violence: Battering, rape, incest, trans-violence.

Poetry as resistance may sound strange.

Yet poetry emerges from the unconscious, beyond conventional notions provided by the powerful, creating competing narratives.

That’s crucial since gender violence holds a “double-bind: keep silent or speak and be ashamed,” says scholar Cheryl Glenn.

When he held her by her ankles

upside down…

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shards

I used to mill pain
to fine flour, call it love;
this ground-glass
kneaded and risen to bitter bread
cutting my tongue,

but nothing can live on a diet that simple,
that sharp,  forever.

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