second person imperative-interrogative woven with the third

you did not fly into or burn us–
those men are ashes now,
so they can justify only
an enhanced interrogation,
so much softer than torture–
the pain comes from your own muscles
set & biologic as wrong thinking
encoded in DNA, locked;
resisting your stress positioning
cuffed, shackled until your muscles fail
but their hands stay clean

as they rack you
with your own flesh,  shivering
to generate heat, naked
until words pour faster
than cold water splashed over bluing skin

this is new language
for an old pain
wrapped & warped
into doublespeak

saving the most famous
for last–
waterboarded truth
is not as interesting
as lies falling from mouths
that will say anything
just to breathe another minute

words are imperative
to stop this, so speak:
say anything

later, they will say
this is not torture–
see, his nail beds are intact,
& soles of feet unblistered

there are no scars
or missing fingers

& the marks on your skin
are from open slaps–
so say anything
you, held safely
offshore
& invisible to my laws

but not absent
from the terms–

enhanced interrogation
is torture
not even prettied by proxy

so speak–
it is difficult to trace
fingerprints
to name the perpetrators
of asphyxiation

tell yours
while you still breathe

Posted in New Free Verse | Tagged , , | 48 Comments

Apocalypse poem #12-acorns

you can’t second guess
when
that apocalyptic clock
is set to shrill
all of us out of sleep

it might be winding down
but the ticking
is too soft
& not for our ears

& so many
have been wrong
so many times

Chicken Littles
rubbing heads, bruised
sore from strikes–
proof of nothing
but acorns

falling

fast & thick
as hail

or are those star fragments
breaking through sky?

Posted in New Free Verse | Tagged , , , , | 16 Comments

Just lovely.

ruleofstupid's avatarRule of Stupid

While you are wrong and I am right

You play in a diminished key

To my major melody

In a painful cacophony

Our notes a loud

War cloud

 

While you are right and I am wrong

My minor line coaxes tears

While your dominant scale sneers

In an assault on the ears

Duelling staccato

Agitato

 

When we let each other just be

I lift on the coda of yours

You rise as my semi-tone soars

Our lone notes will float into chords

The real beauty

Our Harmony

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that stretch

we all do this:
start small & build up
it could be Jenga
or Babel we stack,
weak & teetering

or maybe
we just get taller
but we are always
climbing, building
extending touch
just past the stretch
of fingertips
to something
bigger
than us

sure, we have landed
on the moon
but sky
is still nothing
to thumb your nose at
& needs reaching
from the dirt up

Posted in New Free Verse | Tagged , , , , , | 15 Comments

the false face

because of wholeness
I will rattle the corners of your house
chasing tears with tobacco

paint this wood face red
& smiling big,
feed its pain ashes & corn

like everything else
this loses power
in translation

the face I wear is false
but never spoke a lie.
it just means something else
now, more curiosity
than magic

a decoration & spirit-
less, the way our women
turn gracefully
through smoke dances

that were once war patterns,
tamed now to small steps
judged by skill

***To understand this one, you might have to ask a Seneca to explain the False Face Society.  Or ask me.

Iroquois false face mask

Posted in New Free Verse | Tagged , , , | 31 Comments

If words are the enemy of poetry

for Noel & Obinna

my media betrays me
& how will I translate
that twist
under the solar plexus
that says speak this?

Shall I fill this page
with fingerprints of answers
trapped in these hands
you can’t see–
evidence I can’t voice,
or should I shout my love with eyes
& silence, and promise only things
I can shape with breath
kissing a window pane?

is clay the enemy
to hands that shape it,
& does stone resist the chisel?

No–there the sculptor exposes
what waits to be uncovered
& we, I, you
any of us, words are our stones
waiting to be skipped or built
& sometimes thrown

my medium is not
the enemy, language the loom
I shuttle patterns on
warp and weft, with known colors
& undiscovered outcomes

Posted in New Free Verse | 48 Comments

sparrow composition

three sparrows
arrange themselves
like thirded half notes–

feathered tones resting
stacatto
on a clefless staff
of taut power lines

music for a snowy morning

 

sparrow

Posted in New Free Verse | Tagged , , | 8 Comments