Shamhat

two miles away from you may your lover tremble with excitement,
one mile away may he bite his lip in anticipation

I would have journeyed to him unbidden,
my path from the temple fated and traced
by sandaled feet, dusty but still eager
in their purpose, the way we find our gods

what lives in him would find a way to spark
the fuse that drives and draws me here,
beside the spring where he comes to drink
to lie down, naked and spread under sky,
ready, open for the man who runs with deer

because I have an appetite for gods
or the man ridden by them, still smelling
of the clay that shaped him, struck with sunlight;
a man with hair longer than my own,
whose kisses taste like wild grass

I am the one who opens and is taken
but when he lets me stand again and turns
back to the deer, they will no longer know him
and I will cut his hair, because love tames–
how many wild men are broken
by the women who lie under

***Italicized words are from Enkidu’s blessing to Shamhat, from the epic of Gilgamesh, via Stephen Miller.

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Disgruntled but unarmed woman flies to Australia to beat someone with a bag of oranges.

Pingbacks.  Normally I enjoy it when someone wants to share my work, as a reference to what inspired him/her to write something.  However, when someone takes a poem like God Weeps and uses it to back up some insane grumbling about how gun control does not work in Australia, this yank chick gets hopping mad.  So–feel free to use my poetry, if it does not go against EVERYTHING you are standing for in your posts, please.

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storm warning

I crave that covering over
everything raw
snow promises

the blindness of winter

how small things together
change what is seen
to iced monochrome

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apocalypse in the first world

we lost electricity
for 5 minutes
5 minutes of dark
to hear rain on the roof
and wind twisting tree limbs
into stick figures
practicing yoga

and my girl
running for the candle
by the light of her tablet
asked me
if this meant

the apocalypse
was early

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a certain day became now

A certain day became now
this unfolding us in moments
an origami I smooth, learning
past language and in texture
and heat this us in trimmed
accordioned paper doll chain selves
and none of them true copies

teach me the you
I cannot catch easily
past surface and the shadow
you drag across the floor;
through the easy smiles, the mouth
that always says the right words
but maybe not the true words
un(the moment)chaining
this certain day becoming now us eternal

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raw

some things we are un
comfort
able reading

the too personal center slice
served bleeding on our plates
meat we cut and call pink
but we chew it
bones and all–
we are ruminants
grinding pain
between molars,
eavesdropping
a soul’s breaking
and call it music
eager to  read that diary–
feel the today pulse
of what’s no longer secret

and writing
through the bones
there are words here
covered, gagged
and waiting
for release
what weighs down

lightens

when we give alphabet
or breath
to what we would keep
as ours–
speak the raw,
the rare, the broken thing

cupped and shivering
in our palms

that offering
raised up

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the other side of sleep

Most of what we seek is hidden
truth that flees, but comes unbidden
summoned through magic, coiled and deep–
that waits the other side of sleep

the pain we carry is phantom,
echoed in remembered rhythm
embedded in these nerves that weave
what waits the other side of sleep

the threads we twine with quiet looms
to fabric sometimes wake and bloom
to petaled wholeness, wide and sweet
to scent the other side of sleep

I breathe the perfumed wildness, keep
desire the other side of sleep

***A kyrielle, which is what we are crafting at Dverse today.

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