the oaks are naked now
their last rags wind-stripped
& though my breath
is a seen thing
i know heat
this side of winter
somehow
you have made me
less november
& more
something that blooms
the oaks are naked now
their last rags wind-stripped
& though my breath
is a seen thing
i know heat
this side of winter
somehow
you have made me
less november
& more
something that blooms
music makes my bones move
he says, shakes last year’s mardi gras beads
like maracas, keeps a beat
not listened to but
pulsed
from the soles up
the babalawo says so.
the Opele & Ikin
have spoken fate on his tray.
he has heard & told it–
his palm nuts & divination chains
are never wrong
until they are
& even then
it must be the god of kolob
who meddles with the patterns
after they are laid down
& not orisha orunmila
if you look closely
you can see smudges
where new lines are drawn
but his trays are no different
from the percentages
i tally daily. i call it probability
but the babalawo knows
what they sum already
perhaps
between my math
& his magic
there is space
for hope
***Are polls more accurate ways to project the future than Yoruba divination?
Opele and Ikin are divination chains and palm nuts used for divination by Yoruba priests of Ifa, or babalawos. Orisha Orunmila is the Spirit of Wisdom, or the oracular manifestation of God. Boomie and Noel, I hope I got this right, and please correct any oopses in here! This poem is Noel’s fault, as he (jokingly) said in a Tweet to me that the die is cast and the winner has won, because the babalawo says so.
if my happy is too loud,
splashing yellow-paint sun
across the floor, staining it
anything but sorry
if i wear joy
in plaids with polka-dots
just for the sake
of clashing
will you correct me,
mop up the color
& quiet the noise
or will you smile,
turn up your hands
& join me in this mess
of mud pies
i am making?
i have run those fences
inside fences, casting shadows
that frame more enclosing
the borders we paint sometimes
on pickets friendlier somehow–
that gapped country smile
that seems open but hold us
apart, still guarding something priceless
without a sharply lettered KEEP OUT
or NO TRESPASSING
the message is there
just more worn down by weather
in falling-away paint chips
first shadow
then old wood/peeled latex
pushing us away
from the steel
that truly divides
***at Dverse today, we are looking at art by SueAnn, and writing whatever it inspires us to create. Fun!

From Sueann’s Journey at http://wwwsueann.blogspot.com/
there are things that make naked
not in the strip-teases we like
each layer peeled in a sighing dance
with pauses for pleasure, but in blind surges
that take, rip everything at once,
tearing off what shields
we saw cities shudder under jet streams
dragging a hurricane that wanted ocean
into land, screeching at a moon
no one dared dream under
but prayed for safety. she still pulled us
into her game, knocking houses like dominoes
off foundations & idly flipping boats
onto boardwalks
the way babies splash toys out of bathtubs
we are skinned
the hard way wind
shaved the face off that building
leaving our stacked rooms open.
it is raining on the sheets. wind
claims the kitchen & the sofa
is a boat lost in waves
& sunk
but we are more
than the sum of these rooms. we are people
who pick past ashes, sift
brick for reminders,
because storms like this one
have retired names
& befores & afters.
we find small stones
to tuck into new walls we plan
like us, they will be stronger
& more resilient through remembering