muses

those 9 muses
the Greeks drew
in precise divisions of practice
never moved me,
coy & lolling at Apollo’s feet
in those pictures,
too busy flirting
to grant a whisper
in my ear

no, if art
is breathed, in
spired like cathedrals
pointing to sun &
embodied by anything
I shape, the 3 ancients
speak to me:

the craft birthed
from the movement of water,
cresting in waves
or rippled over rocks
speaks through my mouth
when she chooses, or
the song that strikes air
brighter than a cymbal–
that one rattles my bones
& then stokes language
to a hotter burn
so we can reel
inside the sparks
she stirs

& the last
who lives only inside voice,
that one wakes
when I hear you speak
& twines with my words
to answer you fully

Siculus can keep
his Ethiopian 9.

I know
what is important
always happens in 3’s.

About Susan L Daniels

I am a firm believer that politics are personal, that faith is expressed through action, and that life is something that must be loved and lived authentically--or why bother with any of it?
This entry was posted in New Free Verse and tagged , , , , . Bookmark the permalink.

16 Responses to muses

  1. your timing, rhythm reminds me of Marge Piercy. Great infatigable subject !

  2. davidtrudel says:

    Hooray, hooray, hooray.

  3. unfetteredbs says:

    then stokes language
    to a hotter burn

    sparking heat Susan. This one would be a good one for you to record and read ;0)
    just saying..

  4. jmgoyder says:

    Random question: does the word ‘amuse’ derive from ‘muse’? I wonder. Fantastic poem – you should be famous.

  5. mobius faith says:

    If the important things happen in threes then will there be 3 apocalypse’s (apocalypsi)?
    Is an apocalypse important if it doesn’t happen in 3’s.? Is one apocalypse worse than another?
    So many questions…..
    🙂
    Sorry, I’m just in that weird headspace today.

  6. Your choice of words is amazing, my friend. 🙂

  7. nelle says:

    Some things need limit to one or not happen at all. If only we could dispense such controlled measure.

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